Consider the following scenario: You’re grappling for a description your brain flatly doesn’t want to visualize. Your characters are standing on a dock overlooking a lake, and for some reason your pesky gray matter is acting like you’ve never even seen a lake before. What does a lake look like?? you ask yourself in a state of panic. … Wet?
Or maybe you want to name a character or location in your novel something significant, something historical and symbolic that’ll make future academics nod approvingly at your cleverness. Only, the spells in Harry Potter exhibit the breadth of your Latin education…
Or, after months of labor, you’ve stapled, glued, spackled, spat, and slapped your story together only to step back and find … it looks slightly wobbly, crooked and flimsy, and like a asthmatic’s breathless wheeze could knock it clear over. (As an asthmatic who has before found herself unable to summon the lung capacity to blow out birthday candles, I truly understand the meaning behind that hyperbole.)
In all of these cases, books are your best friends.
The books in this list are ones I consider Required Reading for people who love to write. They’re books that’ll fill your brain with juicy words to chew on, books that’ll help you fix problems you’re having with your draft, books that’ll answer creepy questions like “what if I want my protagonist to get shot, but not too shot, if you know what I mean?”
(I genuinely believe we’ve all Googled that quandary as writers. Does “I don’t want him to die, just have a pretty bad time…” sound at all familiar?)
Without further ado…
10 Books Every Writer Should Read To Boost Creativity and Feel Totally Awesome
1. The Descriptive Thesaurus Series
I love these books so much. My first foray into the Descriptive Thesaurus series was the Emotion Thesaurus, but I just got the two beauties pictured above last week, and I am getting so much use out of them already. The idea of the Rural and Urban Settings Thesauruses is to help writers visualize the settings of their novels by offering concrete, sensory details to kickstart your creativity.
For instance, the Urban Settings entry for an Alley lists sights commonly found in alleyways (from “crushed takeout cups” to “broken wood pallets”), associated sounds (“wind scraping trash into the corner”), smells (always incredibly helpful to me, as I don’t have a sense of smell!), tastes, and textures (such as “the squishy, wet give of stepping on trash” and “rough bricks beneath a palm.”)
These thesauruses aren’t meant to do your writing for you, but rather help you get into the mindset of the scene you’re trying to set. If you haven’t been in an abandoned alleyway any time recently (or a submarine, military helicopter, carnival funhouse, etc.) it can be hard to remember all those little details that make a description so vivid! I love these books.
